Breaking:Reggae legend, Ras Kimono is dead

The Nigerian veteran singer who was scheduled to travel to United States last night, reportedly complained of not feeling too well. However after he was rushed to a hospital in Ikeja, then later taken to Lagoon Hospital, he eventually gave up the ghost.

Ras Kimono served a long apprenticeship on the Nigerian music circuit, experimenting with a number of styles, before making his late 80s breakthrough as a reggae singer. Together with his Massive Dread Reggae Band, Kimono released his debut album, Under Pressure, in 1989. Accompanied by the popular single, ‘Rum-Bar Stylee’, this revealed both a Jamaican and native African influence (the latter particularly evident in his ‘patois’ delivery, as frequently employed by Fela Kuti to communicate with the urban underclass).
His strongly polemical lyrics produced album sales of over 100, 000 copies, and a fervent following for his advocacy of social change. What’s Gwan proved even more successful, with the topics selected including legalisation of marijuana, and the need for Africans to intellectually repel colonialism and its arbitrary boundaries between tribes. Most controversially, he was not averse to naming directly those in power he saw as synonymous with backdoor imperialism.
He started out his career, firstly as a student of Gbenoba Secondary School Agbor and later as a member of the legendary Jastix Reggae Ital, alongside Majek Fashek, Amos McRoy Jegg and Black Rice Osagie.
His music was greatly influenced by the poverty, inequality and hardship he witnessed in his early life. He released his solo debut album “Under pressure” on the Premier Music label in 1988, which propelled him to instant continental stardom. The album had hits like “Under pressure”, “Rasta get jail” and the massive hit “Rhumba style”.
He was to release a string of hit albums, touring all over Africa, Europe and the USA, promoting his brand of Reggae music. He has won several awards including the Nigeria Music Awards, Fame Music Awards and many more.

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